All Light, Everywhere directs our gaze to some fascinating, often surprising connections among technology, weapons, and mechanics of motion, as well as the effect of those factors on the ways in which we construct our realities. Without being prescriptive or didactic, Anthony skilfully points out how politicised the act of seeing is and just how flawed our framing methods can be. The supposedly more objective machines aren’t quite the answer either, despite offering more detailed perspectives. They can be a reflection of power dynamics and biases too.
Sound Design & Re-Recording Mixing
Directed by Theo Anthony
Music: Dan Deacon